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DIAMONDS IN LITERATURE 403
and nobles, then the glories of the great were glorified by telling of the diamonds they wore, and the glory of the diamond was glorified by the fables and supersti­tions of Pliny and those who followed him. Fable, magic and superstitions, enlarged by reiteration, crept into print, and were established for generations and cen­turies. The searching light of the first decade of the twentieth century has not yet quite dissipated them, though goat's blood and the hammer and anvil test have been abolished.
Fables about the origin of the diamond are not many. In India it was said that lightning penetrating the earth generated them; it is also believed there that they con­tinue to grow and may be later found in ground which has been already worked over. This idea of slow growth by accretion has appeared in print quite lately and comes from high authority. Pliny wrote that it was engendered in fine gold.
From the first to the fifteenth century little was writ­ten of the diamond but fable, and that a development of Pliny with nonsensical outcroppings of belief in its magic influences. The principal writers were Isidorus, Bishop of Seville in the seventh century; Marbodus, Bishop of Rennes, in the eleventh century, and Moham-mond Ben Mansur in the twelfth.
During this period, the imaginations of ignorance and folly, fostered by those who profited by them, crystal­lized into various forms of superstition. Following the idea of stones in the Jewish High Priest's breastplate representing the twelve tribes of Israel, the Romish Church was awarded twelve Apostle Stones. The dia­mond not being amenable to the uses of Apostle Stones,