and the latter in his treatise on the Essence of Minerals, states
explicitly that there were "men who fabricated artificial jewels."
Among the precious stones counterfeited, he instances the hyacinth,
sapphire, emerald, ruby, and topaz.
At
the commencement of the Renaissance the fabrication of false stones
still continued; but it was not yet separated from much hesitation and
experiment. Cardan proves this in his curious receipts.
A century later we perceive by the descriptions