IMITATIONS OF PRECIOUS STONES.
The one
point in which all artificial imitations of precious stones fail is
hardness. Practically they all yield to the file, and many are
scratched even by a bit of common glass. Indeed, with rare exceptions,
they consist of flint glass containing an unusually large proportion of
lead and tinctured by the addition of certain colouring oxides, stich
as cobalt for blue, manganese for violet, as well as nickel, copper,
iron, chromium, or mixtures of these, for other hues. Colourless
strass, as it is called, commonly contains 38 per cent, of silica, 53
oxide of lead, 8 potash, and traces of boracic and arsenious acid, with
some alumina and soda. There are three other points in which these
coloured glasses differ from true stones. Besides their softness
already named, they tarnish in impure air, the lead becoming
sulphided, and therefore brown ; they are heavier than any of the
stones having specific gravity under 3*3, which they represent, and
they are all destitute of pleochroism. Under the microscope, or even a
hand magnifier, the majority of them show many lines, and specks, and
air-bubbles, which betray their origin and nature —their origin, at a
high temperature rapidly reduced ; their nature, as fused, glassy,
non-crystalline masses. The lines and striae are signs of layers of
unequal density and of strain ; the bubbles are rounded cavities, quite
different from those cavities, with angular and crystalline walls,
which some gem-stones, such as amethyst, beryl, topaz, frequently
present. This is true not only of the many varieties of coloured paste
or " strass," which form the usual 844.1.
l 2