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Ch. 5: Imitation Gems & Artificial Production

Ch. 5:  Imitation Gems & Artificial Production Page of 311 Ch. 5:  Imitation Gems & Artificial Production Text size:minus plus Restore normal size   Mail page  Print this page
PRECIOUS STONES.                                 79
One of the chief difficulties to overcome in the synthetical preparation of a mineral is crystallisation. Nearly all minerals crystallise in some form, and more particularly is this so with precious stones, excepting the Opal and Turquoise. Now Nature has one great advantage over our puny experiments in the laboratory: she can take unlimited time and has great stores of energy at her command, enor­mous pressures and high temperatures working together or independently. In the laboratory, on the other hand, pressure and temperature, although obtainable, are in many cases not sufficiently high, and also not easily controlled. Then, again, as regards time, poor man does not live long enough. Working under conditions such as these Nature need have little fear of being ousted from the Diamond market. Whatever method we may adopt in our experi­ments, time will not wait, and crystals of fair size and shape are not made in five minutes, so the result is, generally speaking, a few microscopic splinters hardly worth looking at. If sufficient time could be given in many of the experiments carried out, for crystallisation to take place slowly, then one of the chief difficulties would be overcome.
Even presuming we knew definitely how some precious stones were formed in Nature's laboratory, it is doubtful whether we could apply Nature's methods in our laboratories to produce similar results. Many have been the theories put forward to explain the origin of that monarch of precious stones—the Diamond, one in some cases being as feasible as another ; but at the present day it is difficult to apply any one of them as correct. To chemists and physicists, from early times, this stone has been the subject
Ch. 5:  Imitation Gems & Artificial Production Page of 311 Ch. 5:  Imitation Gems & Artificial Production
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