distinguished by having for its chemical base the' earth Zirconia, peculiar to this family. This exactly resembles
Amber in colour, refraction, electricity and levity, and the sole
distinction is its excessive hardness. We find in it also the two kinds
mentioned by the Greek naturalist: a dark orange, extremely agreeable
in tint (the male); and a pale yellow of extraordinary lustre (the
female).
Another
argument for their identity is the frequent employment of the Jacinth
by the Greeks, for intagli in early times, and by the Romans for carnei
also. But for the latter purpose they preferred the darker kind, which,
thai worked out, is extremely effective. The stylo of antiqne
engravings in this gem is altogether peculiar, so as easily recognised
even in the impression from such an intaglio. It is characterized by a
certain fluidity (lavare bagnato) and roundness of all the
lines, and a shallowness of engraving adopted apparently to avoid all
risk of fracture in working so porous a stone. This porousness is
manifest even to the naked eye, for a Jacinth held up against a strong
light appears like a mass of petrified honey, or guava-jelly. This
difficulty in the engraving is remarked by Theophrastus in the passage
above quoted, such at least appears to be the meaning of the obscure expression, " ãéé/erai 8è «áú êáôåñãáóßá Tis áõôïß ðëßßùí." Çè alludes
here to what he had just before said of the Srnarag-dus : " there is a
particular mode of working this stone so as to give it lustre, for in
its native state it is not brilliant." From the similarity of texture
in the two there is reason to infer that he means by this peculiar mode
that use of the Marcasite (instead of the usual Emery which Ben Mansur
describes as the only possible method for polishing the Laal (Spinel),
one variety of which he gives as yellow, another as green. For, as far
as regards the peculiar lustre, texture, and electricity, as well as