dragon-borne
car, three votaresses with their offerings, and the exergue filled up
with masks and other Bacchic symbols. The style indicates, in the
opinion of the most competent judges, the age of the Antonines, the
middle of the second century. It has been tastefully fitted in the
Cinque-cento mode, with a base and spout to convert it into a
rose-water ewer, according to the usage of that period. It had long
adorned the noble Gonzagu Gallery at Mantua, until, in the lamentable
four days' sack of that city by the Imperialists in 1629, it fell into
the hands of Fr. Albert, Duke of Saxony, one of the captains of the
German robbers. The value formerly set upon it was 150,000 thalers,
half which amount is said to have been frequently offered for it to its
then possessor. The Duke's widow, Christina Margaretha of Mecklenburgh,
left it to her sister, Sophia of Brunswick, whence its present
appellation. At Berlin is the " Beutisch Vase," the subject upon which
Sillig interprets as commemorating the birth of Augustus ; but Hirt,
on better grounds, that of Commodus. Into the Eussian Cabinet has found
its way the very elegant one, formerly belonging to Caylus, and fully
described by him (Eec. II. pi. 76). In shape it resembles the Portland,
and is sculptured with two groups —Apollo seated, Cupid, and Psyche
bound ; and Amorini chasing butterflies. Its height is three inches ;
its material an Agate of three strata. The Vienna Cabinet possesses
another alahastron, similar in shape to the Mantuan, covered with
reliefs of masks and Bacchic ornaments ; but bearing for dedicatory
inscription, a verse of Anacreon's, showing it to have been made for a
present to a lady of pleasure: " Ziyaais b/ àyaôoîs, ößëç yàp tl Revois, ïaxxov ä« /x€ äéøþéô» ðÀÀÀí.
Other
alabastra in Onyx, though unadorned with camei, were long treasured in
the French cathedrals, and devoted to their original purpose of holding
(the consecrated) oil.