of Lapis-lazuli together with Amber are washed up by heavy gales upon the coast of Capri, which lies opposite though remote.
Although
Pliny says it was in his times considered unfit for engraving upon in
consequence of its substance being full of crystalline points (the
spots of pyrites that appear like gold), yet we have works in it of
every period of antiquity. True it is that for such (when in a good
style) have been selected portions of the pure unmixed blue, mentioned
by Epiphanius as the sort most admired. These, too, have in many cases
preserved their colour and original polish to an astonishing degree,
proving the vastly superior hardness of this species over that known to
the Egyptians. Greek intagli in this stone are extremely uncommon, yet
a large scarabeoid recently brought from Athens (Ehodes), is engraved
with a kneeling Venus robing herself, in the purest style of the age of
Phidias. The Praun Cabinet boasted a noble head of some youthful king
of Macedon, on a large circular disk of the deepest violet, the reverse
also engraved with full-length figures of Apollo and Venus : a work
pronounced by Steinbüchel contemporary with Alexander. The Blacas has
Perseus, last of the line, wearing the winged helm of his mythic
namesake. Both intagli and camei of the Roman times are frequent in
this material, in spite of Pliny's assertion ; though such are rarely
works of great merit, yet fairly executed Roman relievi and intagli in
Lapis-lazuli are often ¼ be seen. Of the former the Medusa's Head
formerly belonging to the Cav. Azara is always- cited as the most
remarkable for beauty and for magnitude. But of all antique works in
Lapis-lazuli the most remarkable known to me is an owl about eight
inches high cut out of the solid block with admirable vigour and truth
to nature. Thus precious in its material there can be little doubt it