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Alabandicus, Almandine, Garnet
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ALABANDICUS.
53
kindled up more brightly than the others when held and turned about in the light of the fire or sun. In the shade within doors the colour was purple; in the open air flamy; that the wax sealed with such a gem would melt even though in the cool."
These descriptions of the several varieties of the ancient Carbunculus will be rendered more intelligible by a brief account of the various Garnets known to the modern lapidary. First in value comes a rare stone, the
Guarnaccino
of the Italians (from Vernaccia, red wine), of a vinous yellow, seeming to hold the mean between the Jacinth and the Garnet, since it unites the distinctive marks of both, combining the orange of the one with the wine-colour of the other. It is a splendid stone, of great lustre, and, when of the first quality, can with difficulty be distinguished from the browner tinted Spinel. Fine Roman intagli frequently, and sometimes imperial portraits, occur in this admirable material.' The
Common Garnet
is precisely of the colour of Burgundy wine, more or less diluted according to its goodness. The
Pyrope
differs slightly from this chemically (magnesia replacing in it the peroxide of iron), but not in appearance, except in being clearer and brighter. The
Carbuncle
is somewhat darker than the last; and is, in fact, the common Garnet cut " en cabochon," or into a very convex form on the upper surface, whilst the base is hollowed out more or less to give translucency to the stone; for in their native state they are so dark in tint as to be nearly black until held against the light, when the red becomes visible. Many antique Carbuncles are found with the back hollowed out, precisely in the modern manner; but, if the quality of the stone allowed it, the ancients preferred cutting the bottom of the gem to a plane surface, instead of increasing the risk of fracture to so brittle a material by diminishing its substance. The
Vermilion Garnet,
or
Vermeille,
is of a bright red, with a considerable mixture of yellow, retaining nothing of the vinous tint of its class, and differing but slightly from the
Guarnaccino.
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Table Of Contents
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King. Natural History of Precious Stones.
Contents & Preface
Introduction
Achates, Agate
Adamas, Diamond
Aetites, Eagle-Stone
Alabandicus, Almandine
Alabastrites
Amethystus, Amethyst
Argentum, Silver
Caelatura, Antique Plate
Asteria, Girasol
Aurum, Gold
Basanites, Basalt
Batrachites, Toadstone
Beryllus, Beryl
Callais, Turquois
Camahutum, Cameo
Carbunculus, Ruby
Ceraunia, Thunder-bolt
Chalcedonius, Calcedony
Chrysocolla, Carbonate of Copper
Chrysoprasius, Chrysoprase
Chrysolithus, Oriental Topaz
Ch. 1
: Corallium, Coral**
Crystallus, Rock-crystal
Cyanus, Lazulite
Agates, Jet
Heliotropium, Heliotrope
Hyacinthus, Sapphire, Corundum
Jaspis, Jasper, Quartz-gems
Lapis Lydius, Touchstone, Assaying
Lyncurium, Jacinth
Magnes, Loadstone
Margarita, Pearl
Molochites, Malachite
Murrhina, China-Agate
Naxium, Emery
Obsidianum, Obsidian
Onyx, Nicolo
Opalus, Opal
Ostracias, Marcasite
Ovum Anguinum, Druid's Bead
Pantarbes
Porphyrites, Porphyry
Prasius, Plasma
Sandaster, Aventurine
Sapphirus, Lapis-lazuli
Sardius, Sard
Sardonyx
Smaragdus, Emerald
Solis Gemma, Moon-stone
Sucoinum, Amber
Topazius, Peridot
Zmilampis, Cat's-eye
Vitrum Annulare, Pastes
Orpheus on Gems
Jewelry of the Ancients
Chemical Analysis of Precious Stones
Weights and patterns of famous Diamonds, &c
Notes
Description of the Tail Pieces
Index
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