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Argentum, Silver
Page
of 453
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7G
ARGENTUM.
recommendation of imperishability; counteracted, alas! in too many cases by the intrinsic value of the basis.
This art was applied by the Asiatic metallurgists to the decoration of armour as early as Homer's days, for ho describes (II. xi. 25) Agamemnon's breastplate as inlaid with outlines
οιμοι,,
ten
μέλανος κνάνοιο,
" of dark azure," twelve of gold, and twenty of tin. In the former material were three dragons on each side, stretching themselves up towards his neck. This was a present from Cinyras King of Cyprus, an island either belonging then to Egypt, or in very intimate relations with that kingdom. The band of his shield was adorned with a triple-headed dragon in the same composition. In Pliny's times (1. c.) it was applied to triumphal statues, and (54) he refutes the popular notion that statues in silver were unknown before the Augustan age, quoting such statues of Pharnaces and Mithridates as carried in Pom-pey's triumph.
Small works of the Lower Empire often occur with devices upon them in a true niello, fused into an engraved outline ; and some copper plaques have come to my knowledge with figures done in this composition : but we have no remains of any artistic value before it was taken up by the Florentine artist-goldsmiths. The Byzantines applied niello to the decoration of jewels in gold, in cases where it was not convenient to introduce the
cloisonné
enamels they loved so much as embellishments to that precious metal ; and of this class also examples are yet extant.
But the latter style had been long before in use, for Heliodorus, writing in the 4th century (AEth. iii. 4), describes the zone worn by his heroine Chariclea as " a work in which the artificer had locked up the whole of his skill, having never before wrought such a piece, neither being able to do so a second time. It was made like two serpents, their tails tied together behind the wearer's back in a knot, whilst their necks, passing underneath her breasts, were entwined in a tortuous noose ; whilst their heads, allowed to pass through this tie, hung downwards on either side as an addition to the fastening : you would have said that the serpents did not
seem,
but actually did crawl : yet they were not terrific with a menacing and cruel aspect, but relaxed by a gentle torpor, as though lulled to sleep by love upon the
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Table Of Contents
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King. Natural History of Precious Stones.
Contents & Preface
Introduction
Achates, Agate
Adamas, Diamond
Aetites, Eagle-Stone
Alabandicus, Almandine
Alabastrites
Amethystus, Amethyst
Argentum, Silver
Caelatura, Antique Plate
Asteria, Girasol
Aurum, Gold
Basanites, Basalt
Batrachites, Toadstone
Beryllus, Beryl
Callais, Turquois
Camahutum, Cameo
Carbunculus, Ruby
Ceraunia, Thunder-bolt
Chalcedonius, Calcedony
Chrysocolla, Carbonate of Copper
Chrysoprasius, Chrysoprase
Chrysolithus, Oriental Topaz
Ch. 1
: Corallium, Coral**
Crystallus, Rock-crystal
Cyanus, Lazulite
Agates, Jet
Heliotropium, Heliotrope
Hyacinthus, Sapphire, Corundum
Jaspis, Jasper, Quartz-gems
Lapis Lydius, Touchstone, Assaying
Lyncurium, Jacinth
Magnes, Loadstone
Margarita, Pearl
Molochites, Malachite
Murrhina, China-Agate
Naxium, Emery
Obsidianum, Obsidian
Onyx, Nicolo
Opalus, Opal
Ostracias, Marcasite
Ovum Anguinum, Druid's Bead
Pantarbes
Porphyrites, Porphyry
Prasius, Plasma
Sandaster, Aventurine
Sapphirus, Lapis-lazuli
Sardius, Sard
Sardonyx
Smaragdus, Emerald
Solis Gemma, Moon-stone
Sucoinum, Amber
Topazius, Peridot
Zmilampis, Cat's-eye
Vitrum Annulare, Pastes
Orpheus on Gems
Jewelry of the Ancients
Chemical Analysis of Precious Stones
Weights and patterns of famous Diamonds, &c
Notes
Description of the Tail Pieces
Index
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