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Carbunculus, Ruby
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CARBUNCULUS.
149
their eyes, would be frequently but a minor consideration. The ancient artists, on the contrary, chose only such stones as were best suited for the execution of their work, and for rendering the most perfect impression of it when required for use as a signet; always, for both these reasons, preferring the Sard, in which more engravings by the famous masters of antiquity will be found executed than in all the other gems put together. Entirely devoted to the one object, that of attaining to artistic perfection, they altogether disregarded the paltry glory of overcoming difficulties by the fruitless expenditure of their invaluable time (a point in which many amongst the moderns, notably Louis Siries, placed their chief claim to reputation) ; neither did they ever dream of seeking for renown rather by the pre-ciousness of the material than by the excellence of the work itself.
Nevertheless, a few works in Ruby of apparently indisputable antiquity have been observed by me amongst the thousands of other gems examined. First, on account of the quality—a largo oval slightly convex stone, of the true " pigeon's blood"
5
tint, and weighing apparently about 3 carats—is one in the Devonshire Parure (No. 17 in the Bandeau), engraved with a Venus Victrix — a but poor intaglio in the latest Roman manner. A full-length figure of Osiris in half-relief, seems a production of the Egyptian Eevival under Hadrian. In Spinel, a most spirited Gorgon's Head in the Ehodes Gems, and a head of Pertinax, now in my possession.
6
In Balais, the finest head of a Bacchante in existence, seen in front face, and crowned with ivy, the expression of the countenance full of a wild inspiration, and the treatment of the flesh and of the flowing hair beyond all praise : a masterpiece belonging to the best days of Roman Glyptic art. For, at the side is perceptible in neat, but almost microscopic, letters the name EAAHN, previously known as occurring upon an exquisite bust of Antinous repre-
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Table Of Contents
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King. Natural History of Precious Stones.
Contents & Preface
Introduction
Achates, Agate
Adamas, Diamond
Aetites, Eagle-Stone
Alabandicus, Almandine
Alabastrites
Amethystus, Amethyst
Argentum, Silver
Caelatura, Antique Plate
Asteria, Girasol
Aurum, Gold
Basanites, Basalt
Batrachites, Toadstone
Beryllus, Beryl
Callais, Turquois
Camahutum, Cameo
Carbunculus, Ruby
Ceraunia, Thunder-bolt
Chalcedonius, Calcedony
Chrysocolla, Carbonate of Copper
Chrysoprasius, Chrysoprase
Chrysolithus, Oriental Topaz
Ch. 1
: Corallium, Coral**
Crystallus, Rock-crystal
Cyanus, Lazulite
Agates, Jet
Heliotropium, Heliotrope
Hyacinthus, Sapphire, Corundum
Jaspis, Jasper, Quartz-gems
Lapis Lydius, Touchstone, Assaying
Lyncurium, Jacinth
Magnes, Loadstone
Margarita, Pearl
Molochites, Malachite
Murrhina, China-Agate
Naxium, Emery
Obsidianum, Obsidian
Onyx, Nicolo
Opalus, Opal
Ostracias, Marcasite
Ovum Anguinum, Druid's Bead
Pantarbes
Porphyrites, Porphyry
Prasius, Plasma
Sandaster, Aventurine
Sapphirus, Lapis-lazuli
Sardius, Sard
Sardonyx
Smaragdus, Emerald
Solis Gemma, Moon-stone
Sucoinum, Amber
Topazius, Peridot
Zmilampis, Cat's-eye
Vitrum Annulare, Pastes
Orpheus on Gems
Jewelry of the Ancients
Chemical Analysis of Precious Stones
Weights and patterns of famous Diamonds, &c
Notes
Description of the Tail Pieces
Index
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