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Hyacinthus, Sapphire, Corundum
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194
HYACINTHUS.
judge from Ovid's elegant lines upon its springing from the blood of the youth Hyacinthus :—
" Flos oritur formamque capit quam lilia, si non Purpureus color hie, argenteus esset in illis."
Visconti actually figures a statue of Hyacinthus holding in his hand, as an identifying symbol, a fieur-de-lys. This flower also exhibits on its petals (which the gladiolus does not) Apollo's cry of grief, AI, AI, mentioned as its great characteristic by Ovid, and by Pliny.
Pliny evidently believed that the gem derived its name from its resemblance to the flower in colour ; but there is as little foundation for this as for most other similar ancient etymologies. The Indian name of the stone, of which the Arabic
Jacat
preserves the sound, was readily assimilated by the poetical Greeks to that of Apollo's favourite Hyacinthus, or Hyacis—the more especially as there is some ground for believing that the gem (at least in Roman times) was held sacred to the Sun. The identity of names between Apollo's darling and the gem produced the epigram (Anth. ix. 751) :
Α
σφρα-γϊς υάκινθος,
'Απόλλων δ
iarlv kv airy
Και
Δάφνη,
ποτέρου μάλλον ό AijTo'i'Sas.
But that the Hyacinthus of the ancients is the Sapphire of the moderns will be perfectly evident to any mineralogist who will carefully peruse the minute description of the same gem given by Solinus : " Amongst those things (in Ethiopia) of which we have treated, is found also the Hyacinthus, of a shining sky-blue colour : a stone of price, if it be found without blemish ; for it is extremely subject to defects. For generally it is either diluted with violet or clouded with dark shades, or else melts away into a watery hue with too much whiteness. The best colour of the stone is an equable one, neither dulled by too deep a dye, nor too clear with excessive transparency, but which draws a sweetly-coloured tint (florem) from the double mixture of brightness and violet (purpura). This is the gem that feels the influence of the air, and sympathises with the heavens, and does not shine equally if the sky be cloudy or bright. Besides,
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Table Of Contents
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King. Natural History of Precious Stones.
Contents & Preface
Introduction
Achates, Agate
Adamas, Diamond
Aetites, Eagle-Stone
Alabandicus, Almandine
Alabastrites
Amethystus, Amethyst
Argentum, Silver
Caelatura, Antique Plate
Asteria, Girasol
Aurum, Gold
Basanites, Basalt
Batrachites, Toadstone
Beryllus, Beryl
Callais, Turquois
Camahutum, Cameo
Carbunculus, Ruby
Ceraunia, Thunder-bolt
Chalcedonius, Calcedony
Chrysocolla, Carbonate of Copper
Chrysoprasius, Chrysoprase
Chrysolithus, Oriental Topaz
Ch. 1
: Corallium, Coral**
Crystallus, Rock-crystal
Cyanus, Lazulite
Agates, Jet
Heliotropium, Heliotrope
Hyacinthus, Sapphire, Corundum
Jaspis, Jasper, Quartz-gems
Lapis Lydius, Touchstone, Assaying
Lyncurium, Jacinth
Magnes, Loadstone
Margarita, Pearl
Molochites, Malachite
Murrhina, China-Agate
Naxium, Emery
Obsidianum, Obsidian
Onyx, Nicolo
Opalus, Opal
Ostracias, Marcasite
Ovum Anguinum, Druid's Bead
Pantarbes
Porphyrites, Porphyry
Prasius, Plasma
Sandaster, Aventurine
Sapphirus, Lapis-lazuli
Sardius, Sard
Sardonyx
Smaragdus, Emerald
Solis Gemma, Moon-stone
Sucoinum, Amber
Topazius, Peridot
Zmilampis, Cat's-eye
Vitrum Annulare, Pastes
Orpheus on Gems
Jewelry of the Ancients
Chemical Analysis of Precious Stones
Weights and patterns of famous Diamonds, &c
Notes
Description of the Tail Pieces
Index
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