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Lyncurium, Jacinth
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of 453
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LYNCURIUM.
219
Mario
2
(so called from its mulberry colour), which Pliny notes was employed for engravings in relief, "ad cetypas scalpturas aptantur." As ho makes such an observation concerning no other gem, it may be concluded that the Morio was then in great request for that purpose. This attribution is also supported by his definition of its three varieties ; the Indian, entirely dark yet translucent, called also Pramnion (after a very strong red wine) ; the Alexandrian, with which a Carbuncle colour was mingled ; and the Cyprian, verging upon the colour of the Sard. Kohler (Uber den Sard, &c.) maintains that by Morio the Romans understood the Black Sard (our Black Agate), only red and translucent by transmitted light ; but though
μορμω
masks, in intaglio, are frequent enough in this variety, those in
relief
never occur in it.
The exact nature of the Mormorio is much elucidated by the discovery made (1838) in a tomb near Kertch, by A. Tscherkow, of a female skeleton, richly adorned with her choicest jewels— a laurel crown, in massy gold, on her head ; earrings, with pendants, formed as Bacchic genii ; and two necklaces, with hollow gold beads : crepundia. On her fingers were eight rings, of which three were votive, to judge from their extraordinary size. One was set with a bust of Pallas, three-quarter face, her helm crested by a bird with drooping wings, in high relief, of the finest Greek work : cut on " une pierre qui ressemble au grenat le plus foncé." The second bore the same relief, but the head in front face. Both these stones are nearly two inches long—their form, a wide oval. The third had a splendid Siriam Garnet nearly as large, with an intaglio : a god leaning on a sceptre, and placing his hand on the head of a smaller figure standing on a basis. (Bull, de Γ Instituto, 1840.)
A perfect Jacinth is indeed a splendid ornament, and much superior to the best Brazilian Topaz, as having a peculiar golden lustre mixed with its rich orange ; however, it is now completely out of fashion, and consequently of but little value, such are the unreasoning mutations of taste in these matters.
Page
of 453
Table Of Contents
Annotate/ Highlight
King. Natural History of Precious Stones.
Contents & Preface
Introduction
Achates, Agate
Adamas, Diamond
Aetites, Eagle-Stone
Alabandicus, Almandine
Alabastrites
Amethystus, Amethyst
Argentum, Silver
Caelatura, Antique Plate
Asteria, Girasol
Aurum, Gold
Basanites, Basalt
Batrachites, Toadstone
Beryllus, Beryl
Callais, Turquois
Camahutum, Cameo
Carbunculus, Ruby
Ceraunia, Thunder-bolt
Chalcedonius, Calcedony
Chrysocolla, Carbonate of Copper
Chrysoprasius, Chrysoprase
Chrysolithus, Oriental Topaz
Ch. 1
: Corallium, Coral**
Crystallus, Rock-crystal
Cyanus, Lazulite
Agates, Jet
Heliotropium, Heliotrope
Hyacinthus, Sapphire, Corundum
Jaspis, Jasper, Quartz-gems
Lapis Lydius, Touchstone, Assaying
Lyncurium, Jacinth
Magnes, Loadstone
Margarita, Pearl
Molochites, Malachite
Murrhina, China-Agate
Naxium, Emery
Obsidianum, Obsidian
Onyx, Nicolo
Opalus, Opal
Ostracias, Marcasite
Ovum Anguinum, Druid's Bead
Pantarbes
Porphyrites, Porphyry
Prasius, Plasma
Sandaster, Aventurine
Sapphirus, Lapis-lazuli
Sardius, Sard
Sardonyx
Smaragdus, Emerald
Solis Gemma, Moon-stone
Sucoinum, Amber
Topazius, Peridot
Zmilampis, Cat's-eye
Vitrum Annulare, Pastes
Orpheus on Gems
Jewelry of the Ancients
Chemical Analysis of Precious Stones
Weights and patterns of famous Diamonds, &c
Notes
Description of the Tail Pieces
Index
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