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Vitrum Annulare, Pastes
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VITRUM ANNULARE.
345
be stopped up with wax before taking the cast, otherwise it tears away the soft matrix when withdrawn ; and on this account camei in paste are never so satisfactory as intagli. If it be wished to imitate a gem full of internal flaws, like the Carbuncle or the Emerald, the effect is produced by omitting the annealing, and throwing the paste, still hot, into cold water.
The process followed by the ancients was doubtless in principle the same, except that it is evident their moulds were taken in a much coarser material (probably in terra-cotta, on which point more will be said in another chapter), for antique pastes have a much rougher surface than the modern, and are full of air-bubbles. One singular property, however, distinguishes the ancient : they are much harder than window-glass, and will scratch it as readily as does a splinter of flint ; whereas all modern glass, if coloured, is softer than the transparent kind. This is due to its different composition, for at present the German glass, made entirely with soda, is much harder (even resisting the file) than the English, into the composition of which enters a large proportion of lead. De Boot tells us that in his time (1609) rock-crystal pounded was used in the celebrated glass-houses of Venice in making their best articles ; and also generally by the Italians in the manufacture of false gems (an art they were then famous for), for which he, sapient old alchemist as he was, gives many curious and valuable recipes. In the present day the trade is transferred to Paris ; and it will be seen by a reference to Barbot's article on
Strass,
how important an ingredient crystal is still regarded. Crystal in fact being the purest form of silex, is very superior to the silicious sand now employed for the sake of economy in the manufacture. The use of this component can be traced back to the earliest times, for according to Pliny (xxxvi.
66),
" some assert that in India glass is made out of pounded crystal, and in consequence no other sort is comparable to the Indian." The same fact seems to be implied in the vague expressions of Theophrastus (49) : " For if glass be made, as is reported, out of the
hyalites,
this substance also is the product of condensation."
Besides this superior hardness, another supposed criterion of an antique paste is the beautiful iridescence, often coating its
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Table Of Contents
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King. Natural History of Precious Stones.
Contents & Preface
Introduction
Achates, Agate
Adamas, Diamond
Aetites, Eagle-Stone
Alabandicus, Almandine
Alabastrites
Amethystus, Amethyst
Argentum, Silver
Caelatura, Antique Plate
Asteria, Girasol
Aurum, Gold
Basanites, Basalt
Batrachites, Toadstone
Beryllus, Beryl
Callais, Turquois
Camahutum, Cameo
Carbunculus, Ruby
Ceraunia, Thunder-bolt
Chalcedonius, Calcedony
Chrysocolla, Carbonate of Copper
Chrysoprasius, Chrysoprase
Chrysolithus, Oriental Topaz
Ch. 1
: Corallium, Coral**
Crystallus, Rock-crystal
Cyanus, Lazulite
Agates, Jet
Heliotropium, Heliotrope
Hyacinthus, Sapphire, Corundum
Jaspis, Jasper, Quartz-gems
Lapis Lydius, Touchstone, Assaying
Lyncurium, Jacinth
Magnes, Loadstone
Margarita, Pearl
Molochites, Malachite
Murrhina, China-Agate
Naxium, Emery
Obsidianum, Obsidian
Onyx, Nicolo
Opalus, Opal
Ostracias, Marcasite
Ovum Anguinum, Druid's Bead
Pantarbes
Porphyrites, Porphyry
Prasius, Plasma
Sandaster, Aventurine
Sapphirus, Lapis-lazuli
Sardius, Sard
Sardonyx
Smaragdus, Emerald
Solis Gemma, Moon-stone
Sucoinum, Amber
Topazius, Peridot
Zmilampis, Cat's-eye
Vitrum Annulare, Pastes
Orpheus on Gems
Jewelry of the Ancients
Chemical Analysis of Precious Stones
Weights and patterns of famous Diamonds, &c
Notes
Description of the Tail Pieces
Index
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