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Vitrum Annulare, Pastes
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VITRUM ANNULARE.
361
chased by the astute diamond-merchant their collector, not long previously, for as many pence.
To account for their abundance, it must be borne in mind that for three centuries the Italians were largely manufacturing these articles, their material being the hard glass then made, and their moulds coarse, as their false Agates plainly show ; it is therefore hard to perceive how their fabrications can be discerned from the ancient, being produced under conditions so similar.
As for the fine specimens which began to appear after Homberg had so greatly improved the process, their polish and their softness forbid their entering at all into the question. And under the same head may be classed all that followed ; even the amateurs, whom Goethe speaks of, having made themselves masters of the technical processes when once invented, so as to be able to bring out pastes free from bubbles, and exhibiting a clear impression of the matrix. Modern pastes have one almost certain mark of their origin, when they retain at the back the thin projecting rim of glass formed by the portion superfluous and overlapping the circumference of the casting-box, a convincing proof they were never set at all, or even intended for a setting ; and such ought to be put down to the account of the amateur glass workers of the last century.
An interesting lot of the raw stock in trade of some old
vitriarius
once came under my examination. It amounted to above two hundred masses of glass, in form and size resembling gooseberries of different kinds : a shape given them, as it was to the blanks in the contemporary coinage, to enable them, when semifused, better to take the impression of the mould. Some were of fine colour, others ingeniously divided by an opaque band intended in their finished state to imitate banded Agates. The whole stock, including a remarkably fine bust of Jupiter in relief, of green paste, and a few rudely engraved Sards and Garnets, was said to have been found in one deposit in the vicinity of Naples. Could this account be depended upon, such a collection of the raw material would have greatly illustrated the process used in this curious art : but unfortunately no reliance whatever is to be placed upon the tale of the
provenance
of any antiques brought
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Table Of Contents
Annotate/ Highlight
King. Natural History of Precious Stones.
Contents & Preface
Introduction
Achates, Agate
Adamas, Diamond
Aetites, Eagle-Stone
Alabandicus, Almandine
Alabastrites
Amethystus, Amethyst
Argentum, Silver
Caelatura, Antique Plate
Asteria, Girasol
Aurum, Gold
Basanites, Basalt
Batrachites, Toadstone
Beryllus, Beryl
Callais, Turquois
Camahutum, Cameo
Carbunculus, Ruby
Ceraunia, Thunder-bolt
Chalcedonius, Calcedony
Chrysocolla, Carbonate of Copper
Chrysoprasius, Chrysoprase
Chrysolithus, Oriental Topaz
Ch. 1
: Corallium, Coral**
Crystallus, Rock-crystal
Cyanus, Lazulite
Agates, Jet
Heliotropium, Heliotrope
Hyacinthus, Sapphire, Corundum
Jaspis, Jasper, Quartz-gems
Lapis Lydius, Touchstone, Assaying
Lyncurium, Jacinth
Magnes, Loadstone
Margarita, Pearl
Molochites, Malachite
Murrhina, China-Agate
Naxium, Emery
Obsidianum, Obsidian
Onyx, Nicolo
Opalus, Opal
Ostracias, Marcasite
Ovum Anguinum, Druid's Bead
Pantarbes
Porphyrites, Porphyry
Prasius, Plasma
Sandaster, Aventurine
Sapphirus, Lapis-lazuli
Sardius, Sard
Sardonyx
Smaragdus, Emerald
Solis Gemma, Moon-stone
Sucoinum, Amber
Topazius, Peridot
Zmilampis, Cat's-eye
Vitrum Annulare, Pastes
Orpheus on Gems
Jewelry of the Ancients
Chemical Analysis of Precious Stones
Weights and patterns of famous Diamonds, &c
Notes
Description of the Tail Pieces
Index
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