210 NATURAL HISTORY OF PRECIOUS METALS, &c.
doubtless
stood the air very satisfactorily for a certain time, at all events
sufficiently long to secure his payment. Pliny complains that mercury
was then only used in gilding silver : for bronze-work, " which by law
ought to be gilt by means of argentum vivum, or at least of hydrargyrum," a
cheap and fraudulent substitute had been universally adopted, the
particulars of which, however, are to me unintelligible. The bronze was
made red-hot, then plunged in a pickle of salt, vinegar, and alum ; it
was now polished with sand, when its lustre proved if it were
sufficiently purified. In this case it was slightly heated, and thus
"tamed down" so as to receive the gold-leaf, which was fixed on it by
means of a mixture of pumice, alum, and quicksilver. Perhaps the object
was to economize the quicksilver, evidently an expensive article at
that time (xxxiii. 20).
To
understand the reason for these complaints, it must be borne in mind,
as already stated under Argentum, tbat Pliny distinguishes the Argentum
Vivum, the native quicksilver, found liquid and pure in the mines of
other metals, from the Hydrargyrum, extracted by sublimation from the
Minium, its sulphuret: although the metal is precisely the same in both
cases. The greater rarity of Mercury in its native form * must have
given rise to this notion as to its superior quality. The Romans
obtained it from the Spanish silver-mines : and still Almaden is one of
the two chief sources, Idria in Oarniola being the other.
Statues made
entirely of gold seem to have been pecuÂliarly an Oriental invention.
Herodotus, and after him Diodorus, have left accounts of idols of the
kind, formerly standing in Babylon, and of a weight evidently largely
exaggerated by tradition : for the iconoclastic Persians had
* " Et alias Argentum vivum non largum inventum est."