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Ch. 9: Smaragdus, Emerald

Ch. 9: Smaragdus, Emerald Page of 377 Ch. 9: Smaragdus, Emerald Text size:minus plus Restore normal size   Mail page  Print this page
294 NATURAL HISTORY OF PRECIOUS STONES, &c.
method of tinging the stone was attributed to an ancient painter or gem-engraver, the namesake of the Emperor.*
This tradition deserves more attention than it has obtained. An opinion has been recently advanced that the New Granada Emerald, the finest of the species, owes the depth of its green to a saturation with animal matter derived from the organic remains that fill the limestone-rock, its actual matrix. Minerals tinged by an admixture of chrome do not lose their colour when heated, which the Emerald does, a fact indicating a different source for its green than that generally received. To the support of this theory comes the belief of the old Peruvians, mentioned by Gar. de la Vega, that the Emerald ripened in its matrix as the fruit does upon its tree; being first colourless, and then gradually turning green, assuming its colour first at its corner that faces the rising sun.
The Hindoos of every age have greatly admired the Emerald, especially when formed into a pear-drop, pierced at the small end and worn as a pendant in the ear. They also employ it much in bracelets ; and many a glorious gem of this species, as well as of the Sapphire, have they remorselessly sacrificed to the fashion by drilling a hole through its centre for the purpose of stringing it as a bead. One of the finest ever found was to be seen thus maltreated upon the arm of Eunjeet Singh ; and the largest and bluest Sapphire that has come under my own notice had been
Ch. 9: Smaragdus, Emerald Page of 377 Ch. 9: Smaragdus, Emerald
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