This chapter is tagged (labeled) with: 

Ch. 2: Modern Ivory Carvings

Ch. 2: Modern Ivory Carvings Page of 681 Ch. 2: Modern Ivory Carvings Text size:minus plus Restore normal size   Mail page  Print this page
IVORY CARVINGS
65
family. "When, later, expert examination revealed that the shield was a modern forgery, the collector, Mr. Craig-Brown, had recourse to legal action and succeeded in recover­ing the amount of the purchase money. Not long after this the same collector saw in Brussels, in one of the leading establishments for the sale of art objects, an exact copy, or replica, of the work he had rejected, the price being the same, £400. As an example of the value of medieval or Renais­sance ivories, the "Vierge de Boubon," one of the rare figures of the Virgin of the type called by the French " Vierges Ou­vertes," was sold at auction in 1903, as part of the collection of Sir Thomas Gibson-Carmichael, at Christie's in London, for the sum of £3,800, or about $19,000.* This is by some experts believed to be the only genuine specimen of its kind.
One of these strange ivory statuettes named "Vierges Ouvertes " is listed in an inventory of the church treasure of Notre Dame de Paris, made in 1348. It is there described as "an ivory image of great antiquity, divided in the middle, and with sculptured images in the opening; it is generally placed on the high altar, "f In this peculiar type of ivory the figure of the Virgin is longitudinally divided from top to bottom, so that the two halves can be opened out, forming two leaves of a triptych, the inner parts being carved with designs in harmony with those offered by the centre leaf, revealed when the figure is opened out.
The remarkably fine collection of ivories in the Grüne Gewölbe at Dresden was founded by Elector Augustus of Saxony (1553-1586), who was not only a great connoisseur but did some turning work in ivory himself. To gratify his
*Alfred Maskell "Ivory, in Commerce and in the Arts," Cantor Lectures; in Journal of the Society of Arts, Vol. LIV, No. 2817, p. 1178; November 16, 1906, and the same writer's "Ivories," London, 1905, p. 175, PI. xx.
fjules Labarte, " Histoire des arts industriels au Moyen Age et à l'époque de la Ren­aissance," VoL I, Paris, 1864, p. 234; from Comptes des ornements et meubles de l'Eglise de Paris; MS. Arch, de l'Emp., L. 5093, fol. 22 recto.
Ch. 2: Modern Ivory Carvings Page of 681 Ch. 2: Modern Ivory Carvings
Suggested Illustrations
Other Chapters you may find useful
Other Books on this topic
bullet Tag
This Page