402 IVORY AND THE ELEPHANT
Fossil
ivory appears to have been known as early as the third century B. C, as
Theophrastus writes that the colour of ivory that had been dug up was a
mixture of white and black.* In their ignorance of the true nature of
these deposits the ancients took refuge in the explanation that
elephants sometimes buried the tusks they had lost through old age,
accident, or violence·!
When
Firmus of Seleucia, the friend and associate of Queen Zenobia of
Palmyra (fl. 270 A. D.), was overcome by Aurelian (c. 212-275 A. D.),
the latter secured among other valuables two enormous elephant tusks,
each 10 ft. in length. Of these, with the addition of two others,
Aurelian proposed to have executed a seat or throne upon which should
be placed a golden and jewelled image of Jupiter. This design was
probably frustrated by the emperor's death, and we are told that the
tusks were eventually given to "a certain lady," who had them worked up
into a couch for herself 4
One
of the ninth-century relics in the treasury of the Cathedral of Aachen
is an entire elephant tusk, rounded off at either end and having a
series of longitudinally cut and smoothed surfaces. These are in part
adorned with designs of animal forms in low relief. During the Middle
Ages it was provided with a gold mounting and ornamented with gems cut en cabochon. Possibly
in its original state, before carving, the tusk may have been among the
gifts sent by Khalif Haroun-al-Rashid to Emperor Charlemagne. As has
been noted, a live elephant was one of the most important and
interesting of these gifts. There is also, however, a possibility that
the tusk in question may have come from
*Theophrastus, "De lapidibus," cap. 37.
fPauly's "Real Encyclopädie des class. Altertumswissenschaft," Vol. V, Stuttgart, 1905, p. 2358; art. Elfenbein.
JFlavii Vopisci, "Firmus," in Scriptores Historiœ Romanse, Heidelbergiœ, 1743, Vol. IT, p. 421.