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STONES OP HEALING                       159
moment, or else a more powerful enchanter guided the for­tunes of the enemy, for the latter prevailed and the owner of the potent topaz was left dying upon the field of battle. Alongside him was a poor wounded soldier who was clamor­ing for a drop of water to quench his burning thirst. Heark­ening to this prayer, the dying necromancer threw his topaz to the soldier, telling him to place it upon his heart. No sooner did he do so than his thirst passed away, and we must suppose that his wounds were also healed, for we are told that on the morrow he sought everywhere on the battle-field for the corpse of his benefactor but could find no trace of it.
Tavernier, the great French Seventeenth Century jew­eler-traveler, the first European to visit the ruby mines, took with him a number of emeralds, generally large. These were often cut from the top of the crystal, usually darker in color, and simply domed off, preserving the original hexagonal shape. Remarkable specimens are in the Indian Museum and the South Kensington Museum, part of the jewels of Thebaud, King of Burma. The finest emeralds of this type belonged to the late Sultan of Turkey; one of the finest, a remarkable gem, cut rounded en cabochon, was with the Bijoux du Sultan, S. M. Abd-Ul-Hamid II, sold at the Galerie Georges Petit, November 28, 1914. It weighed 44 3/16 carats (old system) or 45.29 carats (metric system). (See color plate.)
A remarkable charm is a hemispherical, transparent aquamarine, with figure of hump bull, found in ancient Baby­lonia. (See color plate.)
A quaint, ancient amulet is carved out of fine knuckle bone, an eagle with spread wings engraved on one side; portrait of a Parthian King. (See color plate.)
A Babylonian idol's eye, of sardonyx, was pierced and worn as charm against the Evil Eye; later engraved with portrait of a Parthian King. (See color plate.)