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280         THE MAGIC OP JEWELS AND CHARMS
tombs. Should this view be correct, precious stones were imitated in glass at a very remote period.1*
An exceedingly fine specimen of ancient Egyptian gold­smith's work, now in the Louvre Museum, Paris, is a pen­dant terminating in a bull's head, each of the horns being tipped with a little ball. Above the double reins are four rondelles, one of gold, two of a material still undetermined, and one of lapis lazuli ; the different parts of the pendant are connected by gold wire. Its most interesting and attractive feature, however, is a polished hexagonal amethyst, en­graved on both faces. In each case the form of a priest is figured; in one he appears with his official staff or wand, and in the other he is represented as bearing an incense-burner and offering the mineral and vegetable sacrifices ; an Oriental pearl is set above the engraved amethyst. The re­ligious and sacrificial significance of this ornament, coupled with the costliness of the materials and the superior excel­lence of the workmanship, make it likely that we have here an amulet or talisman made for some Egyptian of very high rank.2
—- St. Jerome (346Î-420 a.D.), in his commentary on Isaiah (liv, 11,12), alludes to the verses of Ezekiel describing the glories of the King of Tyre and the precious stones with which he was adorned. Evidently Jerome believed that this passage was to be taken symbolically, for he asks :
Who could have so little judgment and intelligence as to think that any Prince of Tyre whatever should be set in the Paradise of God, and have his place among the Cherubim, or could fancy that he dwelt with the glowing stones, which we should without doubt understand as the angels and the celestial virtues.*