Portal logo
ON THE RELIGIOUS USE OF VARIOUS STONES 289
Daniel, a lion on either side of him, and inscribed with his name in Greek letters. This is of Byzantine workmanship.18
The reliquarium of Wittekind, now in the Kunstgewerbe Museum at Berlin, is considered to be probably the most important specimen of early Frankish goldsmith-work that has been preserved, and is richly set with precious stones, some of these being ancient gems. This is one of a number of cases where engraved stones of Pagan times were used in the adornment of ornamental objects destined for Chris­tian religious use. The upper edge shows a row of en­twined animal figures, and the front side has medallions with primitive bird forms in cloisonné enamel; on the reverse side are very rudely executed repoussé figures of saints. This work is assigned to the latter part of the eighth century a.D., and is conjectured to have been a gift from Charlemagne to the Saxon King Wittekind, on the occasion of the latter 's conversion to Christianity in the year 807. It was long pre­served in Wittekind's foundation at Enger near Herford, to which he had bequeathed his treasures ; in 1414 it was re­moved for safe-keeping to the Johanniskirche at Herford, where it remained until 1888, when it came into the posses­sion of the Berlin Kunstgewerbe Museum. This precious example of the earliest German work has the form of a small portable satchel, in which could be placed those sacred relics the owner might wish to bear around with him because of the protection they were assumed to afford.168
One of the most notable and valuable objects in the famous Guelph treasure that has recently been brought back to the city of Brunswick as a result of the marriage of the Duke of Cumberland's son, Ernest Augustus, with the daughter of Emperor William Π, is an elaborately designed
" Op. cit., vol. i, Plate LXVII, No. 1 ; described in vol. ii, p. 307. ■" Handbuch der Königlichen Museum zu Berlin, Kunstgewerbe Museum, by Julius Leasing, Berlin, 1892, p. 14.