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AMULETS: PRIMITIVE, MODERN               363
need not hesitate to believe that these reports did much to render jade amulets generally fashionable.
An old Polynesian legend recounts that jade was brought to New Zealand from a distant land by a certain Ngahue, who sought by this means to save the precious material from an enemy who coveted it. He settled at Arahua, on the west coast of the middle island, and in this region he found an eternal and safe resting place for his jade, which he valued above all things.28 This legend has often been adduced as a proof that the New Zealand jade was brought from other countries, but as it proceeds to state that Ngahue made neck and ear ornaments of this material, there is at least as great probability that we have here the supposed origin of the hei-tiki ornaments, and that the legend testifies to the popu­lar belief that the art of making these objects came to New Zealand from without.
The quasi-magic character of New Zealand jade (ne­phrite) in the eyes of Maoris of the olden time is proved by the fact that certain superstitious restrictions were estab­lished in regard to the cutting of nephrite, one of these being that no woman should be allowed to approach the jade-cutters while they were engaged in their task. For the drill­ing of holes in jade implements or amulets the cord-drill was employed, and the surface of the object received its polish by rubbing it with a piece of sandstone, after it had been roughly fashioned, by chipping, to the desired form. The tough­ness of jade is such that infinite patience and long-continued effort must have been necessary to complete any ornament or implement under these primitive conditions.29
A curious and characteristic jade artefact, known as nbouet or koindien, is found among the natives of New Cale-
*· Grey, " Polynesian Mythology," London, 1855, p. 132. " Elsdon Best, " The Stone Implements of the Maori," Dominion Museum Bulletin, No. 4, Wellington, New Zealand, 1912.