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Ch. 2: Forms and Materials of Rings

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FORMS OF RINGS AND MATERIALS            77
sonalities characteristic of that troublous period. Many-Washington rings and Robespierre rings were to be seen, bearing the enamelled portrait of the respective hero, but the most popular were the Franklin rings, for Franklin's personal influence, born of his sterling qual­ities of insight and common sense, and perhaps strength­ened by the contrast of his cool-headedness with the fever­ish excitement of the Paris of that time, was wide and far-reaching.
Hindu tradition tells of the wearing of rings in India in very ancient times. The earliest forms used by the Brahmans in their forest life, were woven of kusa-grass (Saccharum spontaneum), and even in our time rings of this kind are worn by those assisting at a religious ceremony, as otherwise the water offered to gods or to the spirits of ancestors will not be accepted. As to metal rings, Hindu law assigns those of gold to the index finger and silver rings to the fourth finger.
A story related in the Hindu epic " Mahabharata " alludes to a trick or magic practice with rings, denom­inated ishika. A ring was thrown into a deep well and then recovered in some mysterious way after it had seemed to be irrevocably lost. The " Mahabharata " in its present form may date from about 500 a.D. The other great Hindu epic, the Ramayana of Valmiki, written perhaps as early as 500 b.c. even mentions en­graved rings. When Sita, wife of Rama, the hero of the poem, is abducted by Râvana, the ten-headed Cing-halese giant, Rama sends a monkey called Hanumân to seek for her, giving him a seal ring as a token. As soon as the monkey succeeds in finding Sita, he approaches her holding out the ring and saying, " Gracious Lady, I am the messenger of Rama. Look, here is his ring engraved with his name."
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