Birhamgand.—A broad ring.
In Bombay, the local designations for finger rings are: Angthi, Salle, Mohorechi Angthi and Khadyachya angthya; toe-rings are named: Ranajodvi, Jodvi, Phule, Gend, and Masolia.1*
Rings, necklaces, armlets and Sirpech (or
tiaras) are made at Bikânir, and exquisitely light and fine rings of
gold and silver are produced at Jhânsi in the Gwalior territory. An
unusual form of ring ornamentation appears in a silver ring of Indian
workmanship, dated in the fourteenth or fifteenth century. This has a
projecting bezel in the form of a spur, with a revolving swivel. A
ring of similar design, believed to be Venetian, now in the Ashmolean
Museum, Oxford, was brought from Chalis."
The
rings made by the Hindu goldsmiths are in many cases very elaborately
chased and ornamented, in the ornate style characteristic of Indian
jewellery. The women of the Deccan almost universally wear rings; they
are usually of gold, a silver ring being looked upon as showing
meanness on the part of the wearer. There does not appear to be any
preference of one finger over the other for decoration with rings. One
of the most attractive types is a closely-fitting ring to which is
affixed a little mirror, about the size of a silver quarter-dollar;
this may be mounted either in gold or silver, and undoubtedly Hindu
female vanity finds this thumb mirror of some practical use. With its
rich ornamentation a ring of this kind is in itself a pretty jewel, but
would
16 T. N. Mukharji, "Art Manufactures of India," pp. 124-128, Calcutta, 1888.
1T
0. M. Dalton, " Franks Bequest, Catalogue of the Finger Rings, Early
Christian, Byzantine, Teutonic, Mediaeval, and Later [British Museum],"
London, 1912, p. 247, fig.