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Ch. 2: Forms and Materials of Rings

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110
RINGS
carat gold. They are made in Prague and other cities in Bohemia, the garnet material, of the pyrope variety, coming largely from the mines at Meronitz, Bohemia.
Among the cheap materials that have been used on occasion for making rings, are horseshoe nails, which may perhaps be supposed to possess some of the wonder­ful talismanic power accorded by popular fancy to the horseshoe. The nails are more or less skilfully twisted into· a ring form, and are at least as durable as other forms of iron rings.
An extraordinary material combination for the sub­stance of rings, is that of dynamite and pewter. At present when the war-fever has seized upon almost all civilized peoples, we might accord to the dynamite in this composition a symbolic martial meaning. What risk there might be of the painful results of war befalling the wearer of a dynamite ring through its detonating unexpectedly because of some powerful shock, is per­haps too slight to deter those who are in eager pursuit of novelties.
The pale alloy of gold, known as electrum,68 was favored for ring-making in Oriental Greece, and is termed " white gold " in ancient inventories. Thus in an inventory of the temple treasures of Eleusis, made in 332 b.c., there is mention of " two plain gold rings of
68 A natural or artificial mixture of gold and silver found native at Vorospotak, Transylvania, and elsewhere, mentioned by Herodotus. The electros, ηλεκτρος, of Homer and Strabo ; Pliny, xxxiii, 23 ; although this word was most frequently used to designate amber. Varying in specific gravity from 15.5 to 12.5. The ratio of gold to silver is 1:1. Specific gravity of gold, 19.33; silver, pure, 10.5; correspond to 35.3 per cent, of silver, gold 64.7 per cent. Pliny states that when the propor­tion of silver to gold is 1: 4 (20 per cent.), it is called electra.
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