Two
Greek epigrams in the Anthology, on engraved amethysts in signet rings,
express the prevailing superstition regarding the sobering effect of
this precious stone ; these have been very well Englished by Rev. C. W.
King.24 One, by Antipater, concerns a signet of Cleopatra and runs in King's version as follows:
A
Moenad wild, on amethyst I stand, The engraving truly of a skilful hand
; A subject foreign to the sober stone, But Cleopatra claims it for her
own; And hallow'd by her touch, the nymph so free Must quit her drunken
mood, and sober be.
That
this was really a ring-stone is proved by the Greek words " on the
queen's hand," which King has not literally translated. The image was
that of Methe, goddess of intoxication. The other epigram is shorter
but to the same point :
On wineless gem, I, toper Bacchus, reign ; Learn, stone, to drink, or teach me to abstain.
That
admiration of a work of art on the part of an unscrupulous official is
sometimes fraught with danger for the rightful ownership of the object,
was illustrated in the case of a seal ring belonging to a Roman citizen
of Agrigentum in Sicily. The arch-pilferer Verres, Roman governor of
the island from 73 to 71 b.c., being
on one occasion struck by the beauty of a seal impression on a letter
just handed to his interpreter Vitellius, asked whence the letter came
and who was the sender. The information was of course quickly given,
and there-
24 " The Natural History, Ancient and Modern, of Precious Stones and Gems," London, 1865, pp. 60, 61 ; Anthology ix, 752; ix, 748.