Shakespeare and Precious Stones
prised the principal editions of the poet's plays, from the First Folio of 1623 to the great Variorum Edition by Dr. Furness, begun in 1871.
For the Tercentenary of Shakespeare's birth, celebrated in April, 1864, a special commemorative medal was struck in England, designed by Mr. J. Moore. The obverse shows a profile head of the poet, in the modelling of which the artist seems to have been chiefly influenced by the Stratford bust. This fundamental type he has not unskilfully combined with that of the Droeshout print in the First Folio, the dome-like forehead being evidently suggested by the latter. The nose is more accentuated than in the bust, and the mouth, though still small, is somewhat firmer. Toward the edge of the field are disposed the titles of his various works, as though radiating from the head, and in the exergue is his signature, framed by a half-garland over which extends a mace. The tribute offered to Shakespeare by the Muses, figured on the reverse, is a rather stiff and conventional composition.29
29 W. Sharp Ogden, "Shakspere's Portraits: painted, graven, and medallic," in The British Numismatic Journal, and Proceedings of The British Numismatic Society, 1910, London, 1911, pp. 143-198; see p. 189.