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Ch. 5: French Blue or Tavernier Blue Diamond

Ch. 5: French Blue or Tavernier Blue Diamond Page of 278 Ch. 5: French Blue or Tavernier Blue Diamond Text size:minus plus Restore normal size   Mail page  Print this page
THE FRENCH BLUE.
121
a work of great magnitude. This was the re-cut­ting into brilliants of all the rose-diamonds belonging to the King of France. The reader will remember that " roses " are diamonds cov­ered over with facets, such as the Orloff, while the brilliant properly so-called is a double pyra­mid, a highly refracting figure, of which the Regent and the Koh-i-nur are examples.
Diamond cutting was a lost art in France; hence the reason of sending the gems to Ant­werp. Cardinal Mazarin, a great diamond fancier, had endeavored to stimulate diamond-cutting in Paris. He had imported workmen and wheels and then had caused his own stones and those of the king to be cut. When this was done, and further diamonds not being forth­coming, in order to still encourage his pet indus­try he had the same stones cut a second time I Such expensive encouragement of the diamond-cutting trade has probably never been heard of before or since.
The Antwerp artists having accomplished
Ch. 5: French Blue or Tavernier Blue Diamond Page of 278 Ch. 5: French Blue or Tavernier Blue Diamond
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