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THE SHRINE OF ST. PATRICK'S BELL. 267
be placed before the eleventh century, for a cer­tain design known as the divergent-spiral or trumpet-pattern, which though common before disappeared from Irish art about that period, is to be seen among its intricate ornamentation. The groundwork of the jewel is not silver, as was at first supposed, but white metal, a com­pound of tin and copper. It is however the beautiful gold tracery laid upon this white metal which renders it so famous. No description can give an idea of what it is. The Tara Brooch must be seen to be understood.
If the Tara Brooch appeals to our imagina­tion by reason of the mystery of its past, Saint Patrick's Bell has a contrary but even stronger hold upon us. It seems really to be an authen­tic relic of the Saint to whom it is ascribed, and at any rate it can be shown to have undergone a long and varied career. In the course of these narratives we have met with many kings and queens ; it is now our intention to introduce the reader to a saint. As it seems to be decreed