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Ch. 15: Chrysoprase

Ch. 15: Chrysoprase Page of 451 Ch. 15: Chrysoprase Text size:minus plus Restore normal size   Mail page  Print this page
Chrysoprase                   139
on translucency. The approved tints of chryso­prase are leek and apple green, although the blue, golden-green, and other yellowish tints are occasionally used. The colours remain stead­fast in artificial light. The colour owes its presence to about one per cent, of nickel, prob­ably in the form of a hydrated silicate; the loss of water through heating the stone but mod­erately, causes it to pale gradually, until it ends in a total loss of colour. A long exposure to the direct rays of the sun will produce a like effect, but the cause will be the strong light and not the heat. The brittleness of chryso­prase presents difficulties to the lapidary; it is usually cut en cabochon, or else with a plane surface bordered with one or two courses of facets. Although its intrinsic value is less than it was formerly, chrysoprase is one of the most valuable varieties of quartz in the ornamental stone field, and is highly esteemed among the semi-precious stones.
Chrysoprase occurs in plates and veins, usually locked in serpentine, and its most an­cient and common source is a district south of Breslau in the province of Silesia, Germany. According to an account published in 1805, a vein of chrysoprase three (German) miles long
Ch. 15: Chrysoprase Page of 451 Ch. 15: Chrysoprase
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