Quantcast

Ch. 32: Arts and Crafts Jewelry

Ch. 32: Arts and Crafts Jewelry Page of 451 Ch. 32: Arts and Crafts Jewelry Text size:minus plus Restore normal size   Mail page  Print this page
Arts and Crafts Movement 277
feature of which was a large collection of ex­quisitely designed, excellently drawn, and well executed pieces from the Copley Square Studio of Frank Gardner Hale, the exhibit occupying one end of the exhibition gallery. Mr. Hale's products are not only definite in design, but the construction of his mountings of gems is practical and would satisfy the mechanical re­quirements of manufacturers of jewelry com­mercial, which a good deal of the work of exponents of arts and crafts jewelry would not. New Yorkers at home have had an opportunity to see some of Mr. Hale's remarkable work at an exhibition at the Clausen Galleries. Among the designs exhibited, chains, necklaces, pen­dants, and brooches predominated; there were numerous crucifixes in silver, some of them con­taining precious and semi-precious stones. In the number and excellence of these crucifixes, Mountford Hill Smith took the lead among the exhibitors. Marblehead's handicraft shop was represented by the work of H. Gustave Rogers. Commendable work was shown by Jane Carson and Theodora Walcott. Notable exhibits were those of Laura H. Martin, Elizabeth E. Cope-land, and Martha Rogers. Ingenious schemes of colour in small enamels were shown by Mabel
Ch. 32: Arts and Crafts Jewelry Page of 451 Ch. 32: Arts and Crafts Jewelry
Suggested Illustrations
Other Chapters you may find useful
Other Books on this topic
bullet Tag
This Page